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John Smelcer’s The Trap tells the story of an entire people through the alternating points of view of two men, Albert Least-Weasel and his teenage grandson, Johnny Least-Weasel.  Heightening this sense—and intention, no doubt—of a story striving to transcend the details of its own plot and convert itself into the larger and more encompassing story of a steadily vanishing way of life in a part of the country—the Alaskan Artic Circle—where Nature remains the primary force to be reckoned with are the almost didactic asides in the voice of the single omniscient narrator.